| interview by: Roberto Martinelli
Anaal Nathrakh's debut album, The Codex Necro, had
been REALLY hard to get in the US. (Meanwhile, it was readily available
at HMV in the UK. Go figure.) So there had been massive buildup around
the Maelstrom camp concerning this band. I mean, it HAD been nominated
as Terrorizer Magazine's album of the month.
Despite this prestigious award (or, at least, one would
think is a prestigious award), distributors had never even heard
of Anaal Nathrakh. It makes you wonder if people who sell metal actually
keep up with the scene. It doesn't help that Anaal Nathrakh is on Mordgrimm,
a label that probably has its shit the least together despite putting
out some great stuff. (The Condor has made it a personal quest to obtain
the new Old Forest, which has been granted highest priority cult status
at Maelstrom due to a similar distinction of having received a "1"
in Terrorizer). Regardless, all this rigmarole and mystery only increased
the cult factor, thereby making us want it more (of course). Boy, did
it ever deliver. The Codex Necro may very well be the angriest
record ever. The turbo overdrive black metal attack fronted by
the most depraved vocals knocked us all for a loop.
Who
is Anaal Nathrakh? It seemed that that may have been a tough one to answer,
based on the liner notes that contained misanthropic-to-the-max warnings
and advance refusals to do interviews. However, it turns out that if you
just dig a little, you'll be able to find the origins of Anaal Nathrakh's
two members, Irrumator (who's involved in several other bands, like Mistress)
and V.I.T.R.I.O.L. The latter turned out to be the current vocalist for
Benediction. Irrumator's real name is Michael Kenney, which only has been
revealed here because Kenney is also an aspiring artist, and you can find
his art under his name on various sites on the internet (see below for
links and samples of art). Anaal Nathrakh's story was getting more and
more unexpectedly interesting.
Maelstrom: Your debut record, The Codex Necro, may
be the angriest, most intense black metal record ever. What elements of
you're real life inspired/drove you to begin this project?
Michael Kenney: Well, there is a sound in my head which
I have had for a very long time - I always searched for this sound through
various bands and genres but I never found it - eventually I because good
enough on my instruments to be able to create this sound myself, and therefore
Anaal Nathrakh was born.
Maelstrom: How many guitar and bass tracks did you lay down
for The Codex Necro?
Michael Kenney: The is always two main rhythm tracks for
the guitar and then I add another in the background playing some kind
of chords and stuff - most people mistake this third guitar for a keyboard,
but I can assure that there is never any keys on the Thrakh. There is
only one bass track.
Maelstrom:
Where did you get the artwork for The Codex Necro, which features
various pictures of people with plastic bags on their heads and being
strangled by bloody red tentacles? Have you seen the cover art for Deranged's
Deranged? The two albums' look reminds me of each other.
Michael Kenney: I produce all the artwork for Anaal Nathrakh
myself - the guy getting suffocated is actually my younger brother. I
haven't seen the Deranged cover no - but maybe some of you out there should
check out my art at www.geocities.com/micks_art
Maelstrom: Will interested fans ever know what the lyrics
to your songs are? Do you find that the lyrics are secondary to the way
they are delivered?
Michael Kenney: Well, I never really talk to the vocalist
about his lyrics; I guess they are kinda personal so you would have to
ask him really.
Maelstrom: You have just recorded an EP's worth of material
that will feature guest appearances by Aborym's Sethlans Teitan (guitar)
and Attila Csihar (vocals). Please tell us about the EP: When can we expect
to get our hands on it? How did you hook up with the Aborym guys and how
was it working with them?
Michael
Kenney: The EP (pictured at left) is much more extreme and intense than
the codex - and the production is also much better but equally as brutal,
it contains 6 tracks which I wrote just after finishing <The Codex
Necro> - so it is more or less in the same vein. I hooked up with Seth
and Attila earlier in the year when they asked me to fly over to Rome
to work on there new Aborym album with them - I laid down some programmed
drum tracks and shit. I thought it would be a cool idea to have them appear
on our record too
Maelstrom: Anaal Nathrakh seems to be a personal, secretive
project. How well do you work with others? Do you see your project growing
into a fully staffed band someday?
Michael Kenney: I guess I work with others ok - but if the
creation is all mine then I don't like others to but in - as I have a
very strong vision of what I want to create, I don't like others altering
it - I like to keep it pure. For me Anaal Nathrakh is a studio project
based on trying to create the most intense brutal music ever - this would
not have the same effect if played live in a hall so therefore I don't
feel the need to join with others to create a band, no.
Maelstrom: Speaking of which, do you have any interest in
playing your material live?
Michael Kenney: No.
Maelstrom: Have you ever been involved in other bands?
Michael
Kenney: Shit, man, I'm in loads of bands. First, there's a band called
Mistress which I play drums for - kinda Iron Monkey style
sludgy grind. Then there's:
Fukpig - I play drums - it's like proper true English grind core
Frost - old style Grimm black metal.
I have a solo band which I'm working with at the moment called Professor
Fate - I think Attila will be joining me with this project - he laid down
a couple of vocal tracks whilst he was over here. (You can check out the
sound files at http://artists.mp3s.com/artists/276/professor_fate.html
- Roberto )
Maelstrom: Your vocalist goes by the stage name V.I.T.R.I.O.L.
Is this in tribute to Absu, whose first full-length album hs teh same
name? What does V.I.T.R.I.O.L. mean to you?
Michael
Kenney: I don't think it has anything to do with Absu, no. I'm not actually
sure what this means, hehe.
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