OXBOW May 23, 2003 - Aquarius Records, San Francisco, California, USA
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review by: Roberto
Martinelli
Aquarius Records is the coolest record store I’ve
ever been to. I have a feeling it’ll remain that way, too. It’s
small and homey: the floors are worn and uneven, and the sun seems to
always be trickling in the single room of the mom ‘n’ pop
store in a way that makes it all the more comfortable. Take a Hippie atmosphere
and subtract the stinky smarminess and you’re starting to get the
picture. Whenever I leave, I always feel I know something more about music
than when I came in.
Aquarius is such a nice place to shop for records that even
the smell of rotten Kentucky Fried Chicken from across the street has
become pleasantly associated with the whole experience. And that’s
saying a lot.
AQ, as it is often known, frequently puts on free shows
of some of their favorite artists. This particular time featured an acoustic
set by Maelstrom favorite Oxbow. No doubt the set left the audience spellbound,
but at the same time the experience was almost a waste for anyone seeing
this four piece for the first time.
Oxbow, in its usual live setting, is a
feral, visceral, nearly interactive experience. The band builds up a fearsome
tide that you can feel will swell to engulfing proportions even as the
first notes are played. But not on this day at Aquarius Records. No, Oxbow
were charming and calm and soothing... and just as effective.

The drums were stripped down to a two piece, and Greg Davis
played them in creative ways that the absence of the distorted noise from
his band mates allowed. Davis shook his hi hat stand with his hand, played
the bass drum with a stick, and tried really hard to play a seemingly
random beat on a small gong. Another delicious percussive moment came
when a long, necklace-like string of bells was produced to a delightfully
warm, organic effect.
For a moment, front man Eugene Robinson looked even more
naked without a mic in his hand than he ever does with his clothes off
on stage. But Robinson found his place and delivered a performance appropriate
to his bandmates’.

It was an invaluable experience for all in attendance to
be able to hear this underappreciated group show off talents not normally
on display - and all this without having to use earplugs, either.
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