review by:
Roberto Martinelli
My roommate walked by my room while I had The Cold,
White Light playing and asked me what the name of the band was. When
I said "Sentenced," he told me he thought it was Metallica.
That's not too far off. Sure, for the connoisseur, the bands are worlds
apart, but there are some fundamental similarities between the two groups.
The first is the singing style of Ville Laihiala,
which often goes into a gravely, melodic register that sounds a lot like
James Hetfield. However, Laihiala is far more talented and versatile than
Hetfield, being able to actually sing, and do so well, when the need arises.
Musically, Sentenced has some similarities with 90's Metallica; That is,
is 90's Metallica were more metal and laced their music with Goth influences.
The first few tracks on The Cold, White Light
are instantly memorable and enjoyable. Things start to get a little iffy
around the middle of the album. Such is the case on "Excuse Me While
I Kill Myself," which is a good enough tune, but the corny way in
which lyrics about blowing one's brains against the wall to show the world
are incorporated into the chorus is cringeworthy.
Even if Sentenced swears to you that their band isn't
just a suicide themed band, don't believe it. I wish they would quit it
with this stuff. Yes, Finns are very depressed as a people and they kill
themselves a lot, but the way Sentenced makes this a theme in their pop/Goth
metal only seems silly. Another dud on the album is the song "Guilt
and Regret," which is again an attempt to seem suicidal and morbid,
but is merely a tedious song that goes nowhere.
In fact, all the lyrics on The Cold, White Light
are pretty bad, but sometimes the songs are so good that it doesn't matter.
The suicide thing not only seems like some weak attempt at originality
(besides, Bethlehem already did it, and did it infinitely better), but
it's totally in bad taste. The promo package that came with the album
included a "hand written" list of things to do that went something
like "1. Buy new Sentenced, 2. Listen, 3. Kill myself." This
would not have been worth mentioning except that the package also contained
this letter about some major fan of Sentenced who had committed suicide.
Even though the words of the message were about how much the band would
miss him, the message came across as a shameless, hollow plug of the suicide
angle. It was corporate flavored promotion at its worst.
I don't know how much the band itself has to do with
these promotional angles. Regardless, The Cold, White Light is
an album with a good deal to offer. Just to make sure you know, Sentenced
is almost nothing like it was on Amok and nothing like the death
metal days of North from Here. The mainstream, Goth flavor of the
album may turn a number of people off, but the CD is certainly at least
worth a try.