Should we congratulate Cradle of Filth in being the first band to be considered black metal to be signed to a gargantuan, corporate label? I think so. Hasn't that been Cradle's objective all along? The problem with the animosity that conservative black metal fans feel is precisely about regarding Cradle as a black metal band, which it of course isn't. Let that go and you might be able to actually come to the conclusion that Cradle of Filth actually makes good records, and Damnation and a Day is a good record.
The album is a lot to chew on, though, what at 17 tracks and 77 minutes, with 72 extra musicians in the form of a Hungarian choir and orchestra. The result certainly has a good deal of grandiose, soundtrack-like feel to it. The orchestral and choir parts are tasteful and great, as are the few narrative bits.
The actual parts where Cradle of Filth, the proper band, plays are also very good. Damnation and a Day is a stockpile of good riffs and engaging songs, although there doesn't seem to be any one tune that stands out above the rest. The transitions between the metal and non-metal parts isn't entirely seamless, though, mainly due to a sense that the classical musicians are there not necessarily because of a concrete need for them. Dani's vocals are also a bit of a surprise (this coming from one who is only casually familiar with Cradle's discography), as they're held back quite a bit considering he's the main focus of the band. Those preposterous, eagle shriek signatures are really, really toned down here.
It may take a few listens to really get your mind around all that's going on here. Despite its extreme length, Damnation and a Day's music is well crafted. Sure, some may never be able to come to grips with Dani Filth's vocals, but there's a great deal to appreciate otherwise. Fans will undoubtedly love this disk, as will those who can let go of the limiting notions of what Cradle of Filth should be. (7/10)
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