On the Threshold of Eternity opens with an instrumental that sounds as if it was taken from the 80’s, featuring a big, flashy keyboards sound, and with an Irish theme. It is therefore not surprising that Rick Wakeman (of Yes), famed for his grandiose keyboard playing, signed the band to his label in the mid nineties, and released its first album; he also makes guest appearance on this sophomore release.
The songs that follow balance the big sound with some personal, religiously oriented lyrics as appropriate to a band that associates itself with the Christian branch of progressive rock; Neal Morse (Spock’s Beard), also of that association, graces the album with his presence on the epic title track. The spiritual tendencies, however, should not serve to intimidate you as, on Ajalon’s behalf, it speaks moderately and universally, with a just a tad of missionary objective, while focusing on positive aspects of faith instead on admonition.
The band’s most notable influences are drawn from Kansas and Rush (and some of the vocals sound like Geddy Lee in accessible clothes), although there is more of a new age tone. The pieces evolve nicely, featuring some more of the grand, symphonic sections as well as delicate, heartfelt melodies.
Fans of classic American progressive rock will definitely enjoy this release (as long as they are not atheists, I guess). (7.8/10)
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