review by: Roberto Martinelli

The music of the band Curt Shaw is of the neo-classical metal variety. Essentially, much of the music on this self-titled record sounds like the kind of instrumental bits and segues you’d hope to find on your top-notch power/prog metal albums. These pieces feature superbly articulated and played music, with many highlights and remarkable expression.

However, there is a definite note of tragedy associated with this album. Namely, for all the talent and execution on Curt Shaw, it would be so much better if it were an actual, full band with vocals. The tragic part is that although one would think this style would be at the top of the metal world, as it would appeal to the largest audience, power and prog metal is perhaps the most underground of genres in the US. Finding a singer to complement the band’s level of musicianship must be a daunting task, to say the least. And while you might suspect Shaw the man of a penchant for megalomania, we cannot truly comment on his ability or inability to work well with others.

There are a few other shortcomings to the album. First, although the production is excellent for what it is, it’s still only the best possible result non-pro gear can offer. The drums, although allegedly played by a real person, sound for all the world like a machine (albeit a good sounding machine). And most importantly, the material near the end of the record kind of meanders, culminating in a couple lost country bluegrass numbers that seem rather like filler.

In spite of these points, Curt Shaw remains a recording that should be sought out those who hunger for more quality metal musicianship that embraces classical scales and harmonies. Recommended for fans of bands from Yngwie to Windham Hell. (7.3/10)