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LEVIATHAN - Nine (Inclement Derision) - Cassette - Wrest, 404 Ashbury St. #2, San Francisco, CA 94117
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review
by: Roberto Martinelli
What the fuck was I thinking? I was so wrapped up
in Leviathan's Seven that I actually thought Inclement Derision
wasn't as good. I suppose this is because Inclement Derision isn't
as overtly gloomy and ominously depressing. As Leviathan's Wrest states
in the interview in this issue, he's continuing to progress past the mid-paced
style that he has proved time and again to have mastered, and is challenging
himself by incorporating elements of math rock and some Swans-type material
into the fold (not to mention the windchimes that Wrest talks about in
the interview). The result is outstanding; waver it does not from the
Leviathan objective: to make sordid black metal.
While the musical compositions may technically be
less black metal than before, the vibe is still 100% there, and now there's
more for your musical ear to listen to.
Leviathan is going through major creative growth,
as Wrest breathes new life into his riffs and structures. "Now Hallow,"
the final track, has a death metal sound and features a killer bass/drums/vocals
breakdown. As a result, instead of the album standing as a sort of a whole
body of a ride into infinite grimness, the tracks stand out. "Now
Hallow" contains the only moment that one could call touching in
all of Leviathan's discography, as a lull in the music is opened, and
a coherent "I would have given you anything" is heard. According
to Wrest, most of the songs on Inclement Derision are about women.
Holy shit.
Track four, "Whole of Deceit," sees the albums most
concentrated use of odd times. This is followed by my personal favorite
on the album, "Parasite," which features one of those godly cathartic
riffs that Wrest seems to incorporate into each of his releases.
The production is at its best, as Wrest tightens what
little bolts on his Roland V-Drum kit that gave the drum sound away as
being triggered on Seven. I think I initially wasn't as taken with
Inclement Derision as the use of my favorite Burzum Filosofem
vocals is used sparingly, and I missed them. They do make an appearance
on the final track, but Wrest lowers the pitch of the vox, still running
them through his guitar pod, but making them more earthy. The filthy croaking
style is still in full effect. Fuck yeah, that shit rules! While this
latest album is "only" 51 minutes long, Inclement Derision stands
as yet another milestone in Leviathan's development. You must get your
hands on Leviathan material. You heard it here first.
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All related articles (interviews, live, from the vault)
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| Misanthropic Necro Blasphemy (issue No 3)
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| Shadow of No Light (issue No 3)
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| Seven + Slaveship (issue No 5)
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| Ten (issue No 6)
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| Intolerance (Eleven) (issue No 7)
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| Howl Mockery at the Cross (issue No 8)
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| White Devil, Black Metal (issue No 8)
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| The Tenth SubLevel of Suicide (issue No 11)
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| Verräter (issue No 11)
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| LEVIATHAN (issue No 5)
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