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NOKTURNE - Embracer of Dark Ages - CD - WWIII Records
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review
by: Roberto Martinelli
Nokturne is the latest band in the exploding American
black metal scene. There are enough US bands now that one can begin to
talk about said band having an "American sound," which this group definitely
has.
Nokturne reminds me of fellow American black metallers
Summon on their Baptized by Fire album (reviewed in issue #3),
but much tighter and with a "better" production. Indeed the sound on Embracer
of Dark Ages is fuller and more hard hitting technically, but it isn't
as cult as Summon's. However, the kind of riffs and drum work the two
bands use is very similar, with Nokturne doing it faster.
The album starts off with its weakest song, "Exterminan,"
which experiments with a slow variation of the blast beat, but ending
up sounding really much as I do when I sit down at my kit and try to figure
out how the masters do it. It isn't til track four, "Nothing," with its
ferocious speed and determination, that Embracer of Dark Ages starts
to show some promise.
Pretty much throughout, Nokturne delivers the formula
of anger and then more anger without adding too many more dimensions -
a negative characteristic of much of the US scene's bands. The vocals
are much in this way, and don't provide much more than a pissed off guy
doing his black metal rasp.
There is a clean guitar interlude provided on track
six, "The Hated." Although giving the listener a rest was a good idea
by including this track, the material is so weak that a minute of dripping
water would have had as much of the desired effect. The penultimate track
sees inclusion of a Scandinavian-influenced black metal melody.
Nokturne are unquestionably doing their damnedest
to be as ferocious and brutal as they possibly can. In a sense, they have
recorded a bestial album, but at the same time Embracer of Dark Ages
lacks impact. This is probably due to the band's placing their resources
into being as hard and fast as possible, without effectively exploring
the atmospheric and ethereal side that made albums that are as blisteringly
monstrous as Embracer of Dark Ages (like Immortal's Pure Holocaust
or Keep of Kalessin's Through Times of War), but also had much
more to offer.
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